Played a show with one of our biggest musical inspirations
Opening for the Greyhounds Featuring Steve Berlin and David Hidalgo of Los Lobos
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| Lorenzo's Music performing at the Gamma Ray in Madison - 📷 via -Richard Vargas |
We've been incredibly fortunate to play some amazing shows over the years, but we got the chance to open for an artist who deeply influenced Lorenzo's Music from our very beginnings.
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| Lorenzo's Music - Cliff Hammer, Bryan Elliott & Tom Ray on stage at the Gamma Ray in Madison - 📷 via -Richard Vargas |
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</td></tr><tr><td class="tr-caption" style="text-align: center;">Lorenzo’s Music - Rob Gugel playing drums at the Gamma Ray in Madison - 📷 via -Richard Vargas</td></tr></tbody></table><p>We were excited to play the show at the new Gamma Ray Bar in Madison, WI opening for Greyhounds from Austin, Texas. </p><p>But here’s the thing, we soon learned after we got this show that they would also be playing with saxophonist, Steve Berlin and David Hidalgo of Los Lobos!</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;">
</td></tr><tr><td class="tr-caption" style="text-align: center;">Greyhounds with Steve Berlin & David Hidalgo performing on stage</td></tr></tbody></table><p>David Hidalgo’s side project, Latin Playboys, really captured my imagination when Lorenzo’s Music was just starting out.</p><h2 style="text-align: left;">Latin Playboys Album</h2><p><iframe allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" frameborder="0" height="152" loading="lazy" src="https://open.spotify.com/embed/album/7b25VsKUTQQBVWlm2m1OGi?utm_source=generator" style="border-radius: 12px;" width="100%"></iframe></p><p>The Latin Playboys album, produced by the legendary team of Mitchell Froom and Tchad Blake (who’ve worked with Tom Waits, Soul Coughing, and Suzanne Vega), became a major source of inspiration for me. </p><p>David Hidalgo’s other projects, like Houndog (his experimental album with Canned Heat’s singer), further fueled my admiration for his innovative sound. Even today, I find myself referencing the Latin Playboys album when writing new songs for Lorenzo’s Music – you can hear echoes of it throughout our “Rom Comm Mixtape” album.</p><h2 style="text-align: left;">Rom-Comm Mixtape by Lorenzo’s Music</h2><p><iframe allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" frameborder="0" height="352" loading="lazy" src="https://open.spotify.com/embed/album/7KnhZZKSNuy5ahbQd6ga8O?utm_source=generator&theme=0" style="border-radius: 12px;" width="100%"></iframe></p><p>The highlight for me was getting to chat with David Hidalgo himself. I was able to ask him about the albums and techniques I’d studied for years. He generously shared stories about his creative process and songwriting.</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;">
</td></tr><tr><td class="tr-caption" style="text-align: center;">Tom Ray and David Hidalgo</td></tr></tbody></table><p>My favorite moment was when I asked about the unique drum sound on the song “Ten Believers,” on the Latin Playboys album.</p><p>He revealed that most of the album was written over a year at his kitchen table. When I jokingly asked if he had a drum set there, he laughed and explained that he used a keyboard with drum sounds, which he then compressed and EQ’d. I loved that!</p><p>We also had the chance to talk with Steve Berlin about Los Lobos’ iconic album, Colossal Head. </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;">
</td></tr><tr><td class="tr-caption" style="text-align: center;">Lorenzo’s Music, Greyhounds, Los Lobos - left to right: Rob Gugel, Anthony Farrell, Bryan Elliott, Tom Ray, Steve Berlin</td></tr></tbody></table><p>He described how it came together after the band had poured their creative energy into the Desperado soundtrack for the Robert Rodriguez film. Feeling drained, they started with a simple riff that eventually became “Colossal Head”, the album’s title track.</p><p>This experience was a dream come true for me. Now, if only we could find a way to open for Tom Waits…</p><p>-Tom</p>

